268 miles and the ‘revisit’ tag

mt-adamsGot out on an all-day ride on the motorcycle for the first time in a long while yesterday, and ended up completing a very satisfying 268 miles through Southern Washington.[1. If you want to see (most) of the actual route I took, here’s a KMZ track file, which you can download and open in Google Earth.] Over the past couple of years, as I’ve been discovering the Columbia, I’ve also discovered much of the beauty that is in the corridor centered around the three Cascade volcanoes in Washington: Adams, St. Helens and Rainier (all the shots here with a mountain are of Mount Adams; click any image below to see it larger).

mt-adams-2

[where was this?]

I wanted to explore, but since I was alone, I had one main rule: no gravel.[2. If you look at the track in Google Earth, you’ll see one spot where I went north, stopped and turned around. You’ll also notice that I ended up riding within a hair’s breath of the final part of my ride. Next time, I’ll push on through the gravel.] I love riding on forest roads, but last year I got into a scary situation on the bike in one of the many “middles of nowhere” in Washington, and I really didn’t want to get back into that spot. Nothing kicks you out of a nice ride than that little bit of fear that you’re going down with a 550-pound machine you won’t be able to pick back up.[3. Ben has one of those Spot Locator beacons, which is sort of a motorcyclists’/hikers’ version of the “Help me. I’ve fallen down!” things they advertise on late night TV and in Reader’s Digest.]

I had the saddlebags loaded with my camera gear, but since I’d be riding during the middle of the day, I knew there wouldn’t be much in the way of photo ops. But, unlike years past, where I’d never pull the camera out, I’m now taking reference shots in places I think would be good candidates at times of striking light and weather, and geotagging the images with my trusty GPS logger [4. I use the Wintec G-Rays 2, but there are a lot of them that do the trick.] and Houdah Software’s excellent HoudahGeo app (Mac-only, sorry to say), which marries the GPS data from my trip to the shots taken along the way. And when I go through my photos at the end of the day, I tag those images taken in interesting places that I’d like to go back to with a ‘revisit’ tag.

I also use my iPhone’s camera and Instagram to help with this[5. Except for the GPS logging thing. Instagram tags the photo with the location where it uploaded the file, not where it took the photo, which is a problem when you’re in a place with no cellular service. (fixed) But I save the original photo on the phone, which saves the real location, and HoudahGeo lets me copy and paste the GPS coordinates.] I get some fun photos, and I don’t have to go to the trouble of taking off all my gear, digging out the camera, mounting a lens[6. Don’t ask. Since I bought the grip for my camera, I now have twice the battery life. Great for the whole time-lapse thing, but now I can’t fit the camera and a lens in my bag. Don’t cry for me, Argentina. ;)], and taking a picture of something that I know really won’t want to do much more with in the end.

power-lines-2

[where was this?]

Of course, I do stop, break out the tripod and lenses, and try to capture something worthwhile. Take the image at the very top of this page. I took about 20 shots of various compositions, with different lenses and aperture settings, mumbling the whole time that I wouldn’t really get a great shot. But I knew I could get a good one, and the “working” part of being a photographer is still important; you have to shoot if you want to get better.[1. Years ago, I was talking with a friend of mine, who had been a National Geographic photographer. I told him how inspirational he had been to me, and how I longed to get to the point where I could literally ‘point and shoot’ to get that great image. He laughed and said that I would have been shocked at the sheer volumes of film that they took on an average shoot; most were miles away from being magazine-quality shots.] It’s not perfect, but I came close to what I saw in my head, despite the bright light of the day (Using a polarizer helped too.)[1. And, had I not stopped, I wouldn’t have had the lovely conversation with the man who farmed that land. It opened with, “You know when you want to take that picture? Dawn. I wake up every morning and marvel at how beautiful that mountain is.”]

The shot below was similar. I found this lovely plain[1. Part of the Conboy Lake National Wildlife Refuge] late in the day, at a point when I knew I was quickly headed to that “I’ve ridden too much and need to stop” place. I found a turnout, and spent a good 35-40 minutes trying to get a decent shot.

tree-with-adams

[where was this?]

The light was better, since it was later in the day, but I couldn’t get the angle that I knew the shot needed. To be honest, this photo isn’t even halfway decent, but it’s been tagged with ‘revisit,’ and I like the fact that it’s on an ever-growing list of places to get back to. I’m not going to find those roads that fall in love with if I don’t try to drive 268 miles in a day, and I’m not going to grow as a photographer without actually shooting, no matter whether I think the light is right or not.

missing photography

I haven’t felt much like a photographer lately–for various reasons, and despite my best intentions–but I have been looking at a lot of other folks’ work. That’s been good. I love to look at photographs; I have lots of lovely books and places to go on the web, and there are many wonderful artists out there, both famous and obscure.1

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Notes:
  1. Like Vivian Maier, who I think will be famous, if posthumously. I look at her work, especially her portraits, and find myself wondering what she was like, as a photographer. Did she talk about her work with friends over drinks? Or was she just obsessed, driven only to click, develop, print and stack?[]

dalton point

I went back to Dalton Point last night. Unfortunately, by the time I got there, the interesting cloud formations had dissipated, and the horizon got pretty hazy.

Luckily, there was a very nice moonset as well, so I set the camera and tripod up, and worked through a number of different shots and setups. This one is a composite HDR image (done in Photoshop) of three images after the sun went down. I have a couple of other ones I’m working on, but I like this one best (at least for now).